'Rule 34' won the top prize at this year's Locarno Film Festival.
— an edition where typically audacious and formally ambitious work dominated the program. Marking a strong ceremony for female filmmakers, the main competition jury at the Swiss festival also handed an impressive three awards — best director and a brace of acting prizes — to gritty coming-of-age drama “,” an auspicious debut feature from Costa Rican writer-director Valentina Maurel.
A character study of a young female law student pursuing a parallel calling in amateur online pornography — while defending female abuse victims in her day job — “Rule 34’s” title stems from the popular online meme that “if it exists, there’s a porn version of it.
The jury’s other clear favorite was comparatively low-key: “I Have Electric Dreams” enters the anxious headspace of a 16-year-old girl caught between her parents in the wake of their divorce: Increasingly estranged from her mother, she sets out to live with her spiraling, mentally unstable father, with troubling consequences.
Thanks to the unusual trifecta of prizes for Maurel’s film — a close runner, one presumes, for the top prize — only one other title in the 17-film competition lineup floated the jury’s collective boat: Alessandro Comedin’s “Gigi La Legge,” a whimsical docufiction in which a rural Italian traffic officer is caught up in an inexplicable chain of local misfortunes, took the Special Jury Prize.
In the festival’s secondary Cineasti del Presenti competition, limited to first and second features, another female filmmaker came up trumps: Slovak director Tereza Nvotová took the top prize for “Nightsiren,” a reflection on rural misogyny that braids realism with indigenous mythology.
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