Protests and politics will dominate this year’s Biennale

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Protests and politics will dominate this year’s Biennale
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One of the co-curators of Ukraine’s show drove its central exhibit from Kyiv to Venice. The journey took three harrowing weeks

Save time by listening to our audio articles as you multitaskPolitics is seldom distant from the world’s most prominent showcase for contemporary art. But this year it was not intended to be central. The Italian curator of the main show, Cecilia Alemani, had chosen to build it around shifting concepts of what it means to be human, and called it The Milk of Dreams after the title of a children’s book by a late Surrealist artist, Leonora Carrington.

Demonstrations are expected outside the shuttered Russian pavilion. And the exhibition authorities have agreed to the creation nearby of an open-air space around a monument covered by sandbags in which to display work created by Ukrainian artists since the invasion in February. Ukraine was initially going to pull out of the event, but that changed after one of the co-curators of its show, Maria Lanko, drove the main elements of its central exhibit more than 2,000 kilometres from Kyiv to Venice.

“In times of brutal wars,” said Ms Alemani, “it seems almost impossible to think about art.” But in a statement, the Ukrainian curators of the open-air show argued their wartime art might even chime with her chosen themes. “For months,” they wrote, “human bodies have been shaking along with the walls of their homes and cities. Every day, technologies kill and protect also. Every day, human relationships with plants, animals, earth and non-humans change or strengthen, and this is not a dream.

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