Here is my favorite thing about Suzie Miller’s Olivier Award-winning one-woman play “Prima Facie,” opening at Broadway’s Golden Theater tonight: About halfway through, it begins to rain, hard…
Comer plays a young barrister who, out of blissful ignorance, used to feel fine about defending sexual predators, and now is the miserable, powerless victim of rape herself. The rain is not a baptism—it’s a device used to further humiliate her in her time of greatest humiliation. So here is my least favorite thing about the play: that I have to recommend it, even though I don’t love it—it’s not fun or entertaining or inspiringly good in the way theater can be.
What’s good about this play is also what’s not so good about it: Tess, while she’s still looking at the world from a position of power, explains how the law works when it comes to sexual assault, and it’s enlightening. And yet it’s also dull and somewhat artless. The writing is good in the way that eating your vegetables is good, but there’s no poetry. We’re strictly talking about law and the way lawyers think.
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