The ‘10 Cloverfield Lane’ director also talks about what it’s been like working with the Duffer brothers on ‘Stranger Things’ Season 5.
The Big Picture It’s really difficult to make a prequel or sequel in a franchise stand out from other installments. Way more often than not, they feel like CGI-heavy derivatives of the many movies that preceded it. One of the most impressive exceptions to this Hollywood pattern is director Dan Trachtenberg’s 2022 movie Prey, a daring prequel to Arnold Schwarzenegger’s 1987 sci-fi action horror film Predator.
COLLIDER: I have a lot to dig into so I'm just going to hop right to it! 10 Cloverfield Lane and Prey are two of my favorite movies. They both have extremely subtle and dynamic character performances and I'm curious if there's anything in particular that you can maybe articulate about how you elicit those performances from your actors.
That's so interesting and it kind of brings me to my next question, which was the underdog element. I really liked that that was a priority for you, and you mentioned in the bonus material how Amber was nervous to even take this on at first, before she even knew it was a Predator movie. “300 years ago” and “Comanche” don’t necessarily scream Hollywood, unfortunately.
TRACHTENBERG: Love it. That's awesome.
She worked with Robert Miraball, who's Pueblo. A lot of the wood instruments, the flute sounds, are all him. So diving into the culture and infusing that but not letting that be the dominant thing, it was really terrific.
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