The rituals of awards season are ideal for surrounding hits with glitz, but some big-budget movies with mixed reviews can get lost in the smoke and mirrors. Consider the case of three of history’s …
— all opening quietly amidst Oscar distractions, and leaving potential write-offs surpassing $100 million. They are anomalies – intriguing movies that distributors couldn’t quite figure out how to sell.a phalanx of felines artfully sing and dance. Both movies, while polar opposites, deliver memorable moments of wit and charm, albeit obscured by conceptual hazards. In, Kristen Stewart copes with creepy crawlies that don’t seem to scare anyone except critics .
Michael Adams, a film critic who “risked retinal burnout” by collecting and reviewing the worst movies ever made, concludes that their fate was usually sealed by conceptual confusion as well as lame execution., the famous 1995 disaster directed by Paul Verhoeven and written by Joe Eszterhas, then Hollywood’s most expensive screenwriter, veered between melodrama and self-parody and ended up sweeping the Razzies.was not supposed to be a comedy,” Verhoeven told Adams.
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