Paul Frank Creator on the Evolution of Pop Culture Accessorizing With Loungefly
Well, I guess to me it never went away, or mostly because I would always do our shows and still meet the fans who still have the bags. But then I guess if you think about it, most of our business went to Asia for licensing. It’s pretty big over there, but it was nice to see people here again liking what we do. And this Y2K resurgence has really helped bring more interest to the brand.
io9: I totally agree. I’ve seen a lot of the art releases and limited edition collabs throughout the years, and it’s great that we’re getting a lot of pop culture film and animation representation on accessories through Loungefly. How did your collaboration come about?The designers at Loungefly contacted me a little over a year ago and asked if I’d be interested in collaborating with them.
where they have all of the pens, the stickers, collectibles, magazines, the tape, and notebooks. Oh, my gosh. It felt like a wonderland that really took me back.I want to go. I miss those places. You know, coincidentally, in the early days of of wanting to be a designer, I would go buy the Japanese magazines at a place where they sold Japanese stationery and magazines.
io9: Let’s talk about some of those collabs. Which ones have been your favorite? And you shared there’s a bigger presence in Asia, I really want to go to the cafe over there.Oh, yeah. Isn’t that crazy? There’s the Julius Café with a Julius waffle where you could decorate his hair with chocolate and his lips with raspberry and you could put whipped cream and sprinkles and stuff.
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