Oscar Winner Stefan Ruzowitzky on Creating an Expressionist Landscape for Crime Thriller ‘Hinterland,’ Premiering at Locarno

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Oscar Winner Stefan Ruzowitzky on Creating an Expressionist Landscape for Crime Thriller ‘Hinterland,’ Premiering at Locarno
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Stefan Ruzowitzky, who won an Oscar for “The Counterfeiters,” is at the Locarno Film Festival on Friday for the world premiere in the iconic Piazza Grande venue of his crime thriller “Hinterland.” …

on Friday for the world premiere in the iconic Piazza Grande venue of his crime thriller “Hinterland.” He speaks to“Hinterland” centers on a former Austrian prisoner of war, Peter Perg, who returns home to Vienna in 1920. Everything has changed. The once mighty Austro-Hungarian Empire has crumbled, the imperial dynasty has been replaced by a republic, and myriad artistic, political and intellectual movements are questioning the old certainties.

Another factor that attracted him was the period. “If you do some research, you find out that the First World War was culturally a much bigger shock for people [in Austria] than the Second World War. And after the First World War, all these new political ideas, National Socialism, Communism… came along as well as new ideas like Dadaism and Surrealism in art and literature. People said, ‘What we’ve seen so far, it’s not true.

“In the last 30-40 years, for good reason, we have been obsessed with the Second World War, the Nazis and the Holocaust, because this generation was still alive, and it was absolutely necessary for society to deal with National Socialism while these people were still around, politicians who had a Nazi past, and judges and artists and whatever. And so it was all about that period of time.

Ruzowitzky sees parallels between that period of instability and confusion, and today when public discourse is being tainted by doubt and division. “Twenty years ago, the world was a safer place, in terms of there were values and facts, and society was sort of agreeing on certain things,” he says. “Nowadays, whether it’s Trump’s fake news or the whole coronavirus denial, we don’t agree on what has been true for the last 200 years … believing that there’s scientific proof.

In Hanno Pinter’s original version of the script the story of the love affair between Perg – who finds it impossible to get back together with the wife he left behind – and Körner didn’t exist, but Ruzowitzky saw a need to add it, as Körner represents something far bigger than just a lover. “His wife represents his old life and he’s not ready to face that, he’s not ready to face his wife.

The influence of early Expressionist films, such as “The Cabinet of Dr. Caligari,” was crucial. “The basic idea of Expressionism is that there’s not just one perspective to the face. You show several perspectives at the same time and include movement. The Expressionists wanted to show something beyond what the eye can see, and this is what we tried as well – not to show a house as it is, but to show it in the way a traumatized person would perceive it.

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