3 stars (out of 4)
) marches into his classroom in the early 1940s and recruits him to help develop nuclear weapons as part of The Manhattan Project. Oppenheimer and his team decamp to an open space in New Mexico and prepare to change the world. The experiment is ostensibly for the greater good. But Oppenheimer wrestles with the ethics of destruction.
After the successful detonation in Japan — the scene is a startling visual and audio moment — he tells President Truman “I’ve got blood on my hands.” His moral quandary becomes the focal point of the film’s riveting and surprisingly twisty third act.is a challenging sit. Nolan has stuffed his film with enough timelines, plot threads, characters and recognizable names (
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