Only Murders In The Building director Cherien Dabis breaks down that acclaimed silent episode OMITB
AVC: What were some of the things you wanted to ensure you were able to portray about the deaf community and how did you work towards it with people like James Caverly?I wanted to understand from James what he felt good authentic portrayals of the deaf community were and weren’t. It was an education for me to understand the misconceptions and what works. For example, I learned lip reading is not so easy; it’s really only effective like 30 percent of the time.
AVC: “The Boy From 6B” has two parallel timelines. What was that like, filming the past and present and tying them together?I didn’t want Theo to come across as a superficial villain and wanted to give him depth. I wanted to do it justice because that’s how it was written.
AVC: Can you talk about what it was like to get the other actors to convey so much with their expressions instead of leaning on dialogue?It was great but very challenging. I was worried about the actors feeling like they needed to mouth words or do intense indicating things like pointing, to the point where it might’ve felt gimmicky. I wanted to find a way to ground the silence, especially with the hearing characters.
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