She also reveals how they made the live-action series stand apart from the manga and anime.
The Big Picture When tackling a project as visually distinctive as One Piece, which has existed as both a manga and an anime for over 20 years, the challenge for creators becomes one of visually setting it apart from its predecessors. Enter cinematographer Nicole Whitaker, Director of Photography for One Piece, whose storied career and experience across genres makes her a fantastic candidate to capture the high seas adventures of Luffy , Zoro , Nami , Usopp , and Sanji .
So the thing that was fun for us was we wanted to basically take the manga and make a grounded version of it because, obviously, it's super fantastical and unrealistic, and make it something that people could relate to and relate to the characters. Because, at the heart of the story, One Piece is about family and about relationships. I think that was, for both of us, he and I felt like that part of the story was what we wanted to convey, especially in the first two episodes.
Then on the flip side, maybe this ties into it, is there an episode or a sequence you are most excited for people to experience? WHITAKER: Yeah, it's funny. That's a good question. I think every show is just different in terms of the story. It's not necessarily that I look at it like I'm gonna go into it and do something just because I want to do something. I look at it as what's appropriate for the story.
I love a well-lit scene where I can see the emoting. It’s not as common as it should be. So I want to ask something, and I hate that we have to think along these lines, but to this day, there are still so woefully few women cinematographers.
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