Although Scorsese’s 2005 documentary No Direction Home: Bob Dylan was never released in theaters, it remains one of his masterworks.
The Big Picture Martin Scorsese would be considered a cinematic legend even if it wasn’t for his narrative features. In addition to creating some of the most beloved crime and historical films of all-time, Scorsese has a long history of creating powerful, thought-provoking documentaries. Scorsese’s documentaries are just as essential to his filmography as Taxi Driver or Goodfellas. They often cover similar themes of isolation, artistry, and the power of influence.
Among the many artists incorporated within The Last Waltz is Dylan himself, who joins the group for the musical numbers “Forever Young” and “Baby, Let Me Follow You Down.” Dylan had already established himself as an artist by this point in his career, but during the 1970s, he took a more active role in political discourse. Dylan’s songs often focused on social isolationism, the disgrace of the Vietnam War, and the growing disenfranchisement of the American people from their government.
Dylan’s reclusive nature is one of the most fascinating aspects of his artistry. Dylan’s different personas, confusing lyrics, and infrequent explanations for his own work created an enigma that generated significant interest from his most loyal fans. In many ways, the mythology behind Dylan had grown larger than the man himself. It’s worth noting that at this point in his career, Scorsese was making more biopics than he ever had before.
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