.TaylorLorenz is already doing, arguably, exactly what she was hired to do at the Washington Post: stirring up trouble on social media. ShawnMcCreesh reports
Photo: Tony Luong/The New York Times Today is Taylor Lorenz’s first day at the Washington Post, and she’s already doing, arguably, exactly what she was hired to do: She’s stirring up trouble on social media. “Oh my God, can you stand all the drama?” she says, giggling on a phone call with me last night.
Lorenz and Haberman are both fiercely intelligent talents who adapted well to the disintermediation of the media while also working at established outlets. Both are known quantities; Lorenz is nearly 40, Haberman a few years older, and both write prolifically but can’t stay off Twitter. Both were backed to the hilt by the New York Times. And both have spent the past many years writing about spoiled brats running wild on social media.
The crux of her complaining is that the fusty newspaper fenced her in, dimmed her star. Never mind that she is arguably TikTok famous only because she was Times famous; the paper ran her “Styles” stories on the front page, put her on its television show — right after the Free Britney episode, too — and its flagship podcast, and granted her book leave. “Everything you’re listing is a Times property!” protests Lorenz, who won’t be confined to such provincial backwaters.
She says she has got nothing but love for the Times and hates that anyone might think otherwise. “Maybe I should tweet something,” she muses. Her underbranded editors taught her a lot, she says, but still, “the Times and a lot of places can figure out how to work with talent better.” Sure, there’s a kernel of truth in that.
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