It took the French police just five days to catch the men responsible for the Nov. 13, 2015, attacks on Paris. In the meantime, the country was put on high alert: President François Hollande declar…
’s ticking-clock thriller “November” — the terrorists seemed to have achieved their purpose.
Perhaps “November” will make some people feel better about what happened. Personally, I don’t think I’ll ever get over that time, and I don’t buy the way Jimenez depicts the aftermath. He fails to capture how Paris felt immediately following that tragedy. And he seems to think that b Recognizing how sensitive the French public would be to see the atrocities themselves re-created, Jimenez keeps them off-screen. This gesture of good taste will surely be appreciated by locals, but it renders “November” unusually tricky to distribute abroad, where audiences aren’t as familiar with what happened. In the film, when things erupt, the film’s POV is trapped back at police HQ, where Marco is manning the switchboards alone. First one phone rings, then they all go off.
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