Powered by its famed partners, Oslo-based Motion Blur, one of Norway’s top producers of commercials, features and TV shows, has never been that busy with projects both on home turf and in the U.S. …
Minority shareholder SF Studios lends Motion Blur adds financial stability. The genre-bending outfit also boasts a unique bond with
“Netflix gives us the possibility to tell local genre-oriented stories to a global audience, something we haven’t been able to do before,” Horn added. “We’re lucky to have two huge writers-directors – Espen and Harald – as joint partners, but changes in the market have also given young talents a chance to put their stamp on innovative films and TV dramas,” he noted, referring to “Cadaver”’s Herdal, as well as “Post Mortem”’s head-writer and co-director Petter Holmsen.
“It’s the type of vampire show you’ve never seen before, which dares to break some of the ultimate taboos people have about death,” Sinkerud claimed. Hinting at multiple seasons, Sinkerud said “Post Mortem – No One Dies in Skarnes” has “the potential for lots of other stories,” but it will depend on the viewing numbers after season one, he reckoned.Fully financed by Netflix, the big budget action-adventure is a dream project for “The Wave” director, who first had the idea for it on the benches of Lillehammer’s Norwegian Film School, nearly two decades ago.
He goes on: “We will use visual effect specialists from across Scandinavia, to make the film as great as possible. It’s large comfort to have international VFX competence in our own backyard,” added Horn. Part of a book trilogy, the eco-thriller turns on young boy Mino, born in the rainforest, who makes a living catching rare butterflies. When his community and family become victims of multinational companies wanting to exploit the rainforest, he turns into a avenging warrior.
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