Plus new joints from Willow Smith, Tinashe, Caroline Polachek, and more
- The gentleness of Syd’s voice is deceptive—what is her ability to make anything worth listening to by just singing over it, if not power? Aside from Syd’s angelic quality, there’s nothing radical about the nu-AC template of “Fast Car”—driving guitars over politely synthesized beats .
pop-punk revival to have a Black face. So, did it meet those expectations? Mostly. Willow’s energy feels cathartic and reminds me of my teen angst of yesteryear without feeling regressive. I was underwhelmed by her collaboration with Lavigne on the track “Grow,” even though it was the most reminiscent of the early00s sound that Willow is trying to capture. And while the 36-second track “F**K You” felt a little put on, I respected it.
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