As genre-blending movies become more and more common, none seem to have delivered on the task better than Everything Everywhere All at Once.
The Big Picture It’s not uncommon for multiple genres to overlap within a movie. You have your horror comedies, satire thrillers, and sci-fi epics. But there’s always an overpowering element of a particular genre and its ensuant tone that allows us to neatly categorize the movie. It’s a good and reliable method, but when faced with the too-muchness of a film like Everything Everywhere All at Once, or EEAAO as some abbreviate it, it becomes useless.
Evelyn’s father is perpetually disappointed in his daughter and her life decisions. He considers her a coward who runs away from confrontations and never finishes anything. Still, Evelyn is desperate to prove her father wrong and gain his approval. At the same time, she is also a mother and though she showers her daughter, Joy , with all the care and concern, Evelyn is unable to convey love and warmth given her repressive upbringing.
On their way to the IRS office, Evelyn learns that Waymond wants to divorce her. It’s an incredulous and a shattering moment for Evelyn who comes from a culture where divorces are considered taboo. They have a brief heart-to-heart, and at that moment you feel torn between siding with Waymond or Evelyn since both of them have their compelling reasons. It’s a moment that calls for intense self-reflection, sobbing breakdowns, and heated arguments.
It’s in such a way that EEAAO wholeheartedly agrees with the particular genre it’s toying with. Without compromise, the movie switches its music, camerawork, and tone to comply with whatever genre it’s currently weaving into the story. EEAAO isn’t the first movie to mix sci-fi with martial arts. The most renowned example of this would be the Matrix franchise.
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