MollyGoddard's fall 2023 collection has arrived. View every look:
“I wanted to go back to a place of it feeling very simple. Like it was in the beginning. Just a little bit more honest. Fundamental, kind of, saying, ‘this is our reality’... basically, I’m feeling very stubborn.” To achieve that Molly Goddard decamped from the grandly cavernous Seymour Leisure Center and invited us into her Bethnal Green studio way out east, her work home of five years.
“What I found the biggest challenge of the season was not doing the thing that actually comes to me easiest, which is like a big, bright, colorful, enormous showstopper,” said the designer. Those Villanelle explosions are wonderful, but Goddard’s instinct is correct that they suck attention away from the rest of her offer. Here she used that signature material in much more versatile and casually applicable forms.
Grosgrain ribbon was horizontally integrated into handsome topcoats and blazers in blue and gray that resembled cleverly rethought prep school blazers. The dress below the first gray jacket was made of more tiered ribbon intersected with velvet. Later, when she succumbed to tulle, more ribbons acted to shape the silhouette and create pattern.
Personal nostalgia and memories of clothes past both provided, said Goddard, some key creative inspirations. The oversized poppers on the shoes and a few of the shirred ruched bags were inspired by a Gap Kids belt she shared with her sister Alice, who styled the show. A broader atmosphere of rose-tinted campus remembrance came through too. Said Goddard: “I think I’ve just felt a little bit freaked out by the fashion world recently.
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