We speak to GuardiansOfTheGalaxyVol3 actors Miriam Shor & Nico Santos about James Gunn's directing style, working with the High Evolutionary, dealing with practical effects, and creating Recorder backstory:
In Guardians of the Galaxy Vol. 3, the Guardians help Peter Quill mourn Gamora while adjusting to their new lives on Knowhere. A threat from Rocket's past emerges, threatening his life and that of countless others. Peter and the other Guardians work together to protect Rocekt and fight one of the greatest evils they have ever faced. The Guardians will risk their own lives to save Rocket, but if they fail, it could be the end of the Guardians of the Galaxy.
Miriam Shor: I like to create backs stories. It helps me as an actor. It's also fun. I'm a dorky sci-fi nerd, so I've already created so many back stories for every character, every sci-fi movie that I've ever seen, because we write dissertations. It's what we do. James talked a little bit about zealots, believers, people who believe in this cause that the High Evolutionary, and he as the creator.
James Gunn is a phenomenal director. He's really seen Guardians to its completion all the way to Vol. 3. Nico, can you talk to me a little bit about James Gunn's directing style? What did it add to Vol. 3 and what the tone was on set, being that it was the last one? Miriam, I think Chuk is brilliant as the High Evolutionary. This is one villain that is just the worst of the worst, and I think that out of all the Marvel cinematic villains, this might be my favorite. Can you talk to me about working with Chuk as the High Evolutionary? Was he intimidating when he put on the makeup and you saw him on set?
Nico Santos: You got it. You can prepare for the character as much you can. But something happens when you get on set, you see what your scene partners are giving you, and you're then able to recalibrate him. Then that last piece of the puzzle makes sense of how you are supposed to portray your character. That's what it was. Working with Chuk and Miriam.
Miriam Shor: Then you walk onto those sets. You cannot believe what it feels like to walk onto those sets. You're like, "Oh, so just made a spaceship. Then we're flying in it. That's what's happening."Miriam Shor: Honestly, beyond that, it was like you were there. The level of artistry is shocking. I love all the practical things. There's a scene, I don't know if we can do this.
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