They also discuss how they developed their sibling chemistry and shooting in the freezing cold.
The Big Picture Michael Cera is a master of playing awkwardly lovable weirdos. From Superbad to Juno to Scott Pilgrim vs. the World, he’s made a name for himself in these excellently eccentric dramedies.
COLLIDER: First of all, congratulations on this movie — I really love that the heart of it is sort of this relationship between these three siblings, and the dynamic feels so authentic and lived in. I'm curious if you did anything specific to try to build that chemistry between you three.
Definitely. I feel like all the characters are so specific — you've all been mentioning that, and I feel like you can really relate to all of them. I'm curious if there is one specific character you feel like you're the most like or that you relate to the most. Is it your own, or is it maybe someone else in this trio of siblings?
LILLIS: You know, I don’t think much about it. He just said it feels like it's a waste of time to sit down and watch something for two hours. I guess that’s something. That means he's active.LILLIS: Productive. That's a good mindset. But he's coming to this one, so he's gonna have to suck it up. But as for their sibling talk, no, I don't really know what it is. It’s kind of stuff that we've experienced before and we talk about again. He does do some voices.
That makes a lot of sense. Michael, one of my favorite one of your other films is Molly's Game, in which you also coincidentally play a poker player. I’m curious if there’s something about that sort of character and world that draws you to it because I feel like that's such an interesting parallel.
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