On those overwhelming three days when this New Yorker played a farm girl described as “God’s perfect little creature.”
’s timeliness has never really wavered. Both before and after 2007, countless lawsuits against pesticide manufacturers have brought to light their chemicals’ harmful effects on people and the environment, including a $10 billion payout from the maker of Roundup in 2020.
As a city kid, did the country girl part of it feel like a particular challenge? Had you played anyone with this kind of background before? But I didn’t understand why I felt so small and embarrassed when I started to watch the movie. There’s that line where Arthur says something about two Lithuanian prostitutes, and as a grown up, I can hear that. But there was this part of my heart that contracted and squeezed and I didn’t know why, and I think in retrospect, part of me somewhere remembered what was coming, and it was as though I was listening with Anna’s ears and I didn’t like hearing Arthur talk like that. [.
I think every scene was a separate day. I don’t think we banged out all three scenes in a day. I think I even had the good fortune of shooting those scenes in the order they exist in the script.My time there was so slight and really focused. I don’t remember Tony giving me a ton of direction, even over the whole three days.
But back then, when it’s all about trying to get a job, you read that breakdown and you start doing somersaults trying to contort yourself into whatever they’re saying. I’m sure that I was self-conscious when I read those words, not because anyone was doing anything wrong, but because his language is big. He’s ripping off his shirt, saying “I love you.” It is incredibly uncomfortable, scary, alarming. It’s an episode. I think that’s why when I watch her, she doesn’t seem like a miracle.
I hope so. But again, things like that, I thought, “Mmm, are you an NYC high school girl? Are you bored or are you sad, Wever?” When I watched that scene, I am a little like, [I always read her as both: her family has died, and she has to give this deposition. Depositions seem boring! She can’t even bear to mutter it. Tony did an excellent job at painting this kind of portrait. I went back and I looked at the script, and it’s all in there. The language is so devastatingly simple and young and open and plain.Laughs
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