Mark Ronson’s chills out with some great guests on ‘Late Night Feelings.’ Read our review
is a sort of feminine inverse of Ronson’s 2015, the latter’s dude-centric roster swapped for a compelling mix of women singers, and its brittle, chromed funk replaced with a plush, dubby,is the better album — rangy, sexy and fairly seamless, an LP to play all the
way through after a night of clubbing if you happen get lucky, or if you don’t. If there’s a problem, it’s songwriting and processed vocals that can feel anonymous; bold-faced names lost in string arrangements, pillowy reverb and period simulacra in a way the singers on
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