“Artists see the future... the good ones.” AndyWarhol
The room has erupted into a vocal debate on how"There was no indication then that everybody would be famous for 15 minutes," says Cutrone, whose ex-husband Ronnie Cutrone was Warhol's longtime assistant."There was only television," a medium that launched lasting, living room stars — not frivolous influencers.
Cutrone, who touts that she has Warhol's death certificate at home, calls the painter"very, very futuristic," suggesting that perhaps he was tapped into a"psychic" way of thinking. It's true, the room affirms, that artists are often connected to something beyond our current understanding of the world.
But for Maripol, Warhol's futuristic ideologies were integral to her past life, when she'd actively shoot polaroids in The Factory — a creative space that shuffled fleeting stars through its doors as fast as we scroll through Instagram in 2019.an indication that people would eventually be famous for 15 minutes."The Factory was a gathering of people, and a lot of them came from the street or nowhere," Maripol says.
Much like Warhol's ability to spotlight and amplify it-girls, from Edie Sedgwick to Candy Darling, Maripol's lens has acted like a chronology of fame throughout the decades, capturing people who'd either blow up and fizzle out or become icons in their respective industries. Clicking through a slideshow of her polaroids, Maripol and Cutrone offer anecdotes about all of Maripol's subjects: Downtown NYC artists and designers whose careers were important to a niche scene, but failed to pierce the mainstream; punk bands and singers who'd perform at shows where beers would be hurled at their heads; Madonna before her pop career became one of the biggest in entertainment...
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