After a business deal doesn’t go as planned, Channing Tatum’s Mike Lane is lured out of retirement for one last go-round in the 3rd installment of this dance and music extravaganza. | ✍️ Joey Shapiro
Alright, let’s talk about the evolution of the Magic Mike franchise. The original film, directed by Steven Soderbergh, was a deceptively dark, even tragic look at the lives of a group of male strippers who party hard and get hit by the Great Recession even harder. It’s about the American Dream, it’s about addiction, it’s about finding out Channing Tatum is freakishly athletic.
Now Soderbergh returns as director to inject eroticism back into the multiplex with a sort of “Magic Mike’s European Vacation.” Splitting the difference between the tightly structured drama of the original and the looser, feel-good energy of the sequel,continues to embody the series’ central thesis that a lap dance has the power to change lives.
This time around, Channing Tatum’s Mike Lane is lured out of retirement by wealthy theater owner Max Mendoza , who flies him to London to direct a theatrical production of his striptease routine starring an-style group of the most talented strippers in the western world. If that sounds suspiciously like a 110-minute ad for the real Magic Mike stage show, which itself debuted in London in 2018, that’s because it is.
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