Houston Ballet's return of Romeo and Juliet to the Wortham stage is lyrical. romantic and oh so right. HoustonBallet
Houston Ballet Principals Karina González as Juliet and Connor Walsh as Romeo in Stanton Welch’sTwo households, both alike in dignity, in fair Verona, where we lay our scene…is by far one of the most well-known stories in the world, so it’s likely you already know all you need to know – feuding families, star-crossed lovers, and a tragic ending., making its return to Houston after eight years, without the hassle of referring to your program.
Karina González and Connor Walsh dance the title roles. Separately, both hit the right notes for their characters. González is light and youthful; Walsh, lovestruck and overwhelmed. But the real beauty of the production can be found in their partnering. Deeply connected, and with a seeming effortlessness, they kill the balcony, a showstopper if ever there was one.
Over in the House of Escalus, Naazir Muhammad is a force to be reckoned with, determined to restore order. Harper Watters is a stately Paris, and the contrast between his dances with González – stiff and awkward – and Walsh’s serve the story well. In terms of aesthetics, Verona could not be more fair than it is in the hands of Roberta Guidi de Bagno. Grand and glorious, imposing and quite mobile, the costumes are lush and the sets are as nimble as the cast. It also features some memorable statement set pieces, like Juliet’s large bed encased in curtains flowing down from the rafters and the simple but elegant cross that shines bright. The color palette is rich, and the house-specific color schemes welcome shorthand.
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