Mature content means something different when it comes to Eleanor Coppola’s narrative features. “Love Is Love Is Love” — opening Friday theatrically — is the director’s second narrative film. And a…
” — opening Friday theatrically — is the director’s second narrative film. And as with her 2017 debut, “Paris Can Wait,” Coppola writes and shoots what she knows: the lives of women of a certain age — but also of a rather rarefied status.
Out of the gate, Whalley is sage and alluring as Joanne, the wife of a movie producer who is often on location. As “Two for Dinner” opens, the pair are flirting on Skype, clearly anticipating a date they’ll be having shortly at a restaurant. It’s frisky stuff, the sort of banter that makes long-term marriage seem appealing. Getting dressed, Joanne tells Chris that one of their grown kids’ friends asked her what the secret to a long marriage is. Her answer: “Don’t get divorced.
The upscale location of each tale and the corralling of a talented cast put one in mind of Nancy Meyers’ posh string of rom-coms. Only, Coppola and co-writer Karen Leigh Hopkins take on their female characters’ experiences more earnestly. Yet the more the film asserts the truths of these women’s lives, the more sealed off those lives seem from a world that informs and rebuffs.
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