The new collection is a change in direction for the designer in many ways:
A couple of years ago, there was a moment when suddenly, inexplicably, every girl on Instagram had something new and shiny around her neck: a medallion that looked like it had been melted down from a coin, or maybe picked up in a far-flung vintage shop on the Mediterranean.
It’s worth mentioning that even the poplin shirtdress her mother is wearing is an Aligheri design. Mahtani says she isn’t interested in expanding into ready-to-wear—“in the context of our environmental crisis, I don’t think the world needs more clothing brands,” she insists—but she is getting into the habit of introducing one new “forever piece” a year. Last season, it was a pair of lace-up espadrilles, and this shirtdress is her idea of the “ultimate” staple to layer with gold.
Guests at the show will have the opportunity to see all of that up-close, though it will hardly be your typical catwalk. “It will all pivot around the notion of ceremony and ritual,” Mahtani explains. “We thought very carefully about how the audience will be close to the jewelry, and the moments will allow people to see the jewelry [from many angles] and understand its story. I always set out to create a narrative—a person’s jewelry is a microcosm of their adventures and sentiments.
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