See how the solo artist creates a natural flush for a night out with her husband. \r\n\r\nDirector: Gabrielle Reich\r\nDP: Josh Herzog\r\nEditors: Tajah Smith\r\n\r\nAssociate Producer: Lea Donenberg\r\nProduction Manager: Kit Fogarty\r\nProduction Coordinator: Ava Kashar\r\nAssociate Talent Manager: Phoebe Feinberg\r\nEntertainment Director, Vogue: Sergio Kletnoy\r\n\r\nPost Production Supervisor: Edward Taylor\r\nPost Production Coordinator: Jovan James\r\nSupervising Editor: Kameron Key\r\nAssistant Editor: Billy Ward\r\nFilmed at: Mondernhaus Soho\r\n
I'm gonna be using my purifying gel cleanser, two pumps.that really works for you, it's kind of hard to turn back.I used to have really bad skin growing up.I was lucky enough to have somebody come inthat was when my obsession with skin started.I had hyperpigmentation, my dermatologist recommended it.I feel like I probably get them done once a month.Jet lagged, tired.
'cause I think you want it to kind ofjust because I'm feeling a little bit tired.natural body butters, shea butter.And this is Carmex and to be honestand we're gonna do my date night look.So when I was in the group Little Mixthen you had to wait a whole hour or whatevernot having my sisters around me all the timeand we are so tight and yeah, I'm so lucky to have that.
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Alia Bhatt’s Guide to Ice Water Facials and Skin-Like MakeupAlia Bhatt shares her skincare and makeup routine for achieving “great skin” and a “lit-from-within glow.” \r\n\r\nDirector: Gabrielle Reich\r\nDP: Matt Krueger\r\nEditor: Michael Suyeda\r\n\r\nAssociate Producer: Lea Donenberg\r\nProduction Manager: Kit Fogarty\r\nProduction Coordinator: Ava Kashar\r\nAssociate Talent Manager: Phoebe Feinberg\r\nEntertainment Director, Vogue: Sergio Kletnoy\r\n\r\nPost Production Supervisor: Edward Taylor\r\nPost Production Coordinator: Jovan James\r\nSupervising Editor: Kameron Key\r\nAssistant Editor: Andy Morrell\r\nFilmed at: Beverly Wilshire, A Four Seasons Hotel \r\n
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Return of the Supers: See Behind the Scenes at the Making of Vogue’s September IssueDirector: Posy Dixon\r\nEditor: Evan Allan\r\nDirector of Photography: Mike Lopez\r\nAssociate Director, Creative Development: Alex Gurvitch\r\nSenior Producer, Vogue: Jordin Rocchi\r\nProducers: Greg T. Gordon, Maya Tanaka\r\nSet Designer: Taylor Horne\r\nCam Op: Andrew Maso\r\n1st AC: Jack Kelly\r\n2nd AC: Dan Lando\r\nSet Designer Assistant: Alexandra Kaucher\r\nGaffer: Julia Gowesky\r\nGrip: John Guilen\r\nAudio: Javier Caso\r\nAssociate Producer: Lea Donenberg\r\nNaomi Campbell, Cindy Crawford, Linda Evangelista, and Christy Turlington wear a selection of fashion from Bottega Veneta, Dior Givenchy, Loewe, Pomellato, Proenza Schouler, Sergio Rossi, Tory Burch, and Versace.\r\nStylist: Edward Enninful\r\nHairstylist: Eugene Souleiman\r\nMakeup Artist: Stéphane Marais\r\nMakeup Artist for Naomi Campbell: Adam Fleischhauer\r\nManicurist: Megumi\r\nManicurist for Naomi Campbell: Candice Idehen\r\nTailor: Lars Nordensten\r\nProduction Coordinator: Ava Kashar\r\nProduction Manager: Kit Fogarty\r\nLine Producer: Romeeka Powell\r\nSenior Director, Production Management: Jessica Schier\r\nAssistant Editor: Andy Morell\r\nPost Production Coordinator: Jovan James\r\nColorist: Oliver Eid\r\nSupervising Editor: Kameron Key\r\nPost Production Supervisor: Edward Taylor\r\nEntertainment Director, Vogue: Sergio Kletnoy\r\nDirector of Content, Production: Rahel Gebreyes\r\nSenior Director, Programming: Linda Gittleson\r\nExecutive Producer: Ruhiya Nuruddin\r\nVP, Digital Video English: Thespena Guatieri
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How Margot Robbie Became Barbie 🎀✨'I actually don't know if I even owned a Barbie.' Margot Robbie may have not been obsessed with the dolls as a child, but there was one thing that she was extremely keen on: the Barbie Dreamhouse. From constructing her fold-out house as a 5-year-old to seeing a life-size version come to life right before her eyes, Margot Robbie truly manifested her Barbie dreams. Margot breaks down her entire process for the 'Barbie' movie, from the mental preparation for the role, working alongside Greta Gerwig and Ryan Gosling on set, the fabulous pink wardrobe and so much more.SAG-AFTRA members are currently on strike; as part of the strike, union actors are not promoting their film and TV projects. This video was conducted prior to the strike.Director: Juliet LopezDirector of Photography: Matt KruegerEditor: Jess LaneDirector of Content: Lane WilliamsonSenior Manager, Creative Development: Logan TsugitaCreative Producer: Funmi SunmonuCoordinating Producer: Sydney MaloneAssociate Producer: Meb BeyeneAssociate Producer: Rafael VasquezTalent Booker: Lauren MendozaCamera Operator: Shay Eberle-GunstProduction Assistant: Fernando BarajasProduction Assistant: Liza AntonovaPost Production Supervisor: Christian OlguinPost Production Coordinator: Scout AlterSupervising Editor: Erica DillmanAdditional Editor: Paul TaelAssistant Editor: Courtney KarwalGraphics Supervisor: Ross RackinAssociate Manager, Creative Development: Ali Farooqui
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‘Red, White & Royal Blue’ Intimacy Coordinator on Why Representations of Queer Intimacy Remain Complicated for AudiencesRobbie Taylor Hunt also discusses working with stars Taylor Zakhar Perez and Nicholas Galitzine, how director Matthew López's background in theater aided his process, and why the SAG-AFTRA strike is a win for queer inclusion and the safety of artists alike.
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