'Last of Us' Director Neil Druckmann Embraces Philosophical Themes, Complex Morality

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'Last of Us' Director Neil Druckmann Embraces Philosophical Themes, Complex Morality
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'Last of Us' director Neil Druckmann embraces philosophical themes, complex morality LastOfUs

The Last of UsThe Hollywood Reporter. "I love this game, but I don’t think anyone else is going to like it," he added. "At least I got to do it one time."debuted on June 14, 2013, on the PlayStation 3 and quickly sold more than 1.3 million units, the biggest launch of any title that year.

Aging Ellie up in the sequel allowed for Druckmann to portray more of her romantic life and lend a heavy tale a bit of light and heart. "We don’t want to tell a story that’s just dark on top of dark — we can’t sustain that. How do you find other sub-stories to tell with it? One of them is this romantic story between these two girls and how that develops," says Druckmann.

Both sections of the demo — one set amid deep snow drifts in Jackson, the other in the overgrown sprawl of what was once urban Seattle — place an emphasis on stealth gameplay. In the opening segment, Ellie and Dina run afoul of a group of infected in a ramshackle grocery store. In the latter, Ellie, alone, crawls through deep grass in downtown Seattle, avoiding a group of human survivors and their canine companions who have captured Joel's brother, Tommy .

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