Killers of the Flower Moon review: Scorsese’s monumental new epic

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Killers of the Flower Moon review: Scorsese’s monumental new epic
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Killers of the Flower Moon Score Details “Killers of the Flower Moon is very much an example of the aging master who dug a grave for crime opuses with The Irishman.

” Pros Cons “Your murderers come with smiles, they come as your friends.” So said Henry Hill in Goodfellas, right before one of those friends — the one played with a tiger’s grin of ill intentions by Robert De Niro — tries to trick him into a one-way trip to Florida. Hill’s words of warning echo through the Martin Scorsese canon of greed, betrayal, and death.

Killers of the Flower Moon — Official Trailer The conspiracy would draw federal agents to Osage County, and lead to the first major case of J. Edgar Hoover’s recently formed FBI. Grann’s bestseller is largely built around that investigation, led by a one-time Texas ranger named Tom White. White is a character in the movie, too — a stoic agent played by Jesse Plemons. But he’s far from the central figure, and doesn’t show up for a good long while.

That plan unfolds gradually, as Scorsese threads the romance of Ernest and Mollie — who genuinely fall in love, against her better judgment and regardless of ulterior motives — through the expanding horror of what happens to her family, beginning with the disappearance of her sister, Anna . At 200-plus minutes, Killers of the Flower Moon takes its time, but doesn’t drag.

Mollie — shattered by compounding losses, sick with heartache and disease — is the movie’s grieving conscience. Gladstone, who made her breakthrough playing an achingly vulnerable cowgirl in Kelly Reichardt’s Certain Women, cuts through the corrupt dimwit chatter with as little as a weary stare. But just as history and scoundrels conspired to diminish Mollie, so does the movie strategically sideline her.

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