Kevin Costner on ‘Yellowstone,’ pot-smoking, movie-making and the day he stopped caring what people think
, and fast-racking the lever on his polished brass-frame Henry 1860 rifle in; in the process becoming dominantly noted for his “tall, rangy good looks” and what Hollywood types like to call “flesh impact;” usually choosing to play characters who are self-sworn to operate on the upstanding, outstanding right side of any given moral equation, hence all the early comparisons to Gregory Peck and Jimmy Stewart; surviving outsized movie-making disasters like that inevitably turned into cult favorites...
It’s all pretty interesting, not just this kind of mulish insistence on being himself, no matter what, which is how lots of people operate, for better or worse, but also the way he talks about it, openly, laughing and snorting as he goes, which takes the edge off what could almost be considered sharp-angled arrogance. It’s an appealing combo. It makes him fun to hang around, to sit back and listen to.
At the same time, he was beset by insecurities. For one thing, while he excelled in athletics, he wasn’t much of a student, primarily when it came to math. He was bothered to a massive degree by numbers that were less than zero. “That particular Rubik’s Cube of bullshit actually affected me in a real negative way, not being able to understand that,” he says, still sounding upset. “And yet, so much weight was attached to those type of things.
He pauses again. He goes on again, “If you want to look at a high point in my life, it wasn’t a movie, it wasn’t. It was that internal talk I had with myself, where I said, ‘I don’t give a shit what anybody says, this is what I want to do, and I’m burning my ships like Cortes, and I am going to go where my heart wants to go. And I’m never again going to not do that in my life, and I’m not going to be caught up in trends and what’s popular.
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