What is going on here
Season 3 of Dear White People included a hilariously spot-on take on the allure of Hulu's The Handmaid's Tale. When main character Sam couldn't stop watching it, despite its ridiculous sexual, class, and racial politics, I felt that—especially after The Handmaid's Tale's third season finale last night.Even after three years, Margaret Atwood's television adaptation still hasn't figured out what to do about its white woman problem.
Despite insurmountable odds stacked against her, June is determined to move dozens of children out of Gilead and into Canada, where they can grow up in freedom. She has a gun, she's not afraid to use it, and she's tunnel-visioned on accomplishing her goal, with the support of about a dozen other handmaids and Marthas. As June and her charges travel through the woods, she distracts guards and puts her life on the line to save those of others.
I've already exhausted myself breaking down the racial mistakes of this show, so now the only thing that's troubling me is that I can't bring myself to break up with the show over it.
If June dies, the show will recover: She has quickly become one of its least interesting characters, and is now only a small part of the complex world The Handmaid's Tale has built. Gilead itself is also a character, perhaps the most evil of them all, and I'm most invested in seeing it defeated.
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