Julia Louis-Dreyfus’ Great New Comedy Is the Kind You Don’t See Anymore

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Julia Louis-Dreyfus’ Great New Comedy Is the Kind You Don’t See Anymore
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It reunites her with one of our most essential filmmakers.

is a chamber piece about a quartet of people contending with the same common yet painful life experience: the realization, a few decades into adulthood, that one’s future seems unlikely to be as successful, as fulfilling, asYou Hurt My Feelings

makes it both a serious subject of contemplation and a source of effervescent comedy. Beth’s inability to get past the ego blow dealt by that fateful moment of eavesdropping is easy to identify with—I mean, the man lied about liking the book—but it’s also, objectively, absurd. As she grudgingly assents to her sister, she knows she has it pretty good with her cozy Manhattan apartment, devoted partner, and affectionate if aimless son.

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