It’s not easy to capture the highs and lows of being a pro athlete in just 30 min. But that’s what the writer-director of “Devonte” has done with his faux-documentary screening at the virtual Slamdance Film Festival. By DarcelTribune
The Chicago Tribune talked with Kahn, a New York transplant who moved to Chicago and is now based in Los Angeles helming his own storytelling incubator, Myles . Kahn shares his thoughts on Chicago’s relationship with professional athletes and why “Devonte” had to be told through a Chicago lens. The interview has been condensed and edited for clarity.After spending a lot of time at the Bulls organization, I wanted to make a commentary on a bit of that world that surrounded everything.
We shot the film five or six years ago; really determined to make something. I had an opportunity to work for Uninterrupted and moved to LA and had an opportunity to be a part of the “player empowerment movement” over the last five years. During that time, the film just sat on the shelf. When the pandemic hit, I had an opportunity to finish it. It was amazing when Slamdance reached out and thought the film was relevant to today’s climate in terms of athletes and mental health.
I’ve worked in sports in Los Angeles. I grew up in New York. When I came to Chicago, I really saw the understanding that the fans had on a deeper level for the sports and how they regarded it. It was something the city is engaged in on a much deeper level than in other larger cities with their athletes and their teams. All those things are magnified through the lens of the media. ...
The film was shot six years ago. So, there’s a lot of things that have unfolded in the lexicon since then. I do think there is a fascination with fame in society and this notion that if you achieve those things, then things must be better for you in some type of way. We’re fascinated with the double-edged sword and the complexity that comes with these prestigious situations for individuals.
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