The opening shot of Joseph Gordon-Levitt’s 10-part “Mr. Corman,” which debuted on Apple TV+ with its first two episodes last week, finds the creator/producer/director/writer/star beating out a rhyt…
,” which debuted on Apple TV+ with its first two episodes last week, finds the creator/producer/director/writer/star beating out a rhythm on his chest with his hands, a harbinger of the musical piece he will have completed by the season’s close. The eclectic soundtrack album, featuring Nathan Johnson’s jagged, instrumental score and several original songs, has been released by Kobalt Music Group’s AWAL label, and is now available on major DSPs.
Composer Johnson originally met Gordon-Levitt on the set of “Brick,” — the debut film directed by Nathan’s cousin Rian Johnson, which Gordon-Levitt was starring in, with an experimental score highlighting the script’s arch, stylized dialogue. Nathan went on to score every one of Rian’s films — except for his entry in the “Star Wars” franchise — including “The Brothers Bloom,” “Looper” and, more recently, “Knives Out.
“We talked about music being a key part of this movie from the very beginning,” says Johnson, who also composed the score to Gordon-Levitt’s debut directorial effort, “Don Jon.” “Joe’s a really good musician, you can tell with how he edits a scene to a specific rhythm. With this score, we decided to use the same palette of instruments his character uses to create his song. We discovered restricting ourselves in that formal way opened all sorts of specific ideas and possibilities.
“That music expresses what the character is feeling, even though I do my best to render that physically and realistically in my acting,” adds Gordon-Levitt. “Nathan’s score successfully evoked those feelings. We spent a lot of time trying different versions of how that music should sound. Both to evoke the tension of anxiety, but also to find moments of dark humor as well.”
For the two songs performed by the rock band fronted by Gordon-Levitt and Juno Temple’s Megan, Johnson wrote love songs whose lyrics could be open to reinterpretation, given we know the pair have long since gone their separate ways.
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