When production designer Ra Vincent met with Taika Waititi about his ‘anti-hate’ satire Jojo Rabbit, he was surprised to learn that the director wanted to craft a World War II film unlike any seen …
, he was surprised to learn that the director wanted to craft a World War II film unlike any seen before.
For the collaborators, much of this decision came down to the fact that the story was being told from the perspective of a 10-year-old boy. Based on a novel by Christine Leunens,centers on Jojo Betzler, an avid member of the Hitler Youth who is joined everywhere he goes by his imaginary friend, Adolf Hitler. Discovering that his mother Rosie is hiding Elsa, a young Jewish girl in the attic, Jojo is furious, and is ultimately forced to make a choice between love and hate.
In pre-production, Vincent scouted a number of locations around the borders of the Czech Republic, looking for a house that he could transform into Jojo’s. “A lot of the little hamlets and villages around the edges of the Czech Republic are caught in a kind of time capsule,” the designer notes. “By doing that search, I got to experience a bunch of art deco interiors.
For the designer, a look for the space emerged naturally from an investigation into 1930s German architecture. “Elsa’s room has a slanting roof and a short wall, and naturally that offers up an opportunity to use the soffit area. The soffit on those German buildings can be quite deep; there’s often a false wall put in, because you can’t use that triangular space when you’re living in the loft of a German house.
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