Jenny Odell, the artist and author of a pandemic breakout about how to “resist the attention economy,” returns with a book-length examination of the nature of time.
also reflects its subject’s complications while holding fast to that signature hopeful sincerity. Odell is interested in the moments where one’s day-to-day life gets tangled up in the structural beams giving it shape. She hasn’t given herself the job of untangling it so much as painting the beams and the tangles red and yellow, so that they really pop when held against each other. Even her own assumptions get a fresh coat.And then knowing about those informed me going into” she says.
”—the volunteer-run rose garden in Oakland that was a haven to her when the noise online got too loud after the 2016 election. Her ability to “do nothing” in the space of the garden, Odell writes, isn’t as readily available to Black people, who often endure suspicion while they’re attempting to exist in nature, rendering what’s considered an escape for some actually more fraught and physically dangerous than any online forum.
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