PlayStation VR2’s C-Smash VRS may be inspired by a Dreamcast obscurity, but it still manages to ooze futurism and forward-looking sophistication.
Words byGiven the current vogue for remakes of old classics, the phrase “labour of love” is probably a tad overused in the context of video games at the moment. However, there’s no way to get around it: C-Smash VRS, a launch-window game for the PSVR2, is the very definition of a labour of love.
Dressed in a virtual jumpsuit, you must hit an orange ball against Breakout-like pads, often arranged in layers in front of and behind each other . Tittel was keen to emphasise that right from the start of the development process, he felt compelled to involve the renowned visual designers Corey Schmitz and Arkotype, and that the music, provided by techno stalwart Ken Ishi and up-and-coming London electronic artist Danalogue is also a vital component of the game.What Tittel has come up with is the type of VR game that offers a degree of catharsis – or at the very least relaxation – after a hard day’s toil or the like.
“It was the first company that wanted me to get into VR, back in 1993, when it showed off its Mega Drive-powered – or underpowered – headset at CES, which ended up not coming out. So I’ve always wanted to make this for VR, and here we are.” “It was almost like an Easter egg: they kept the two-player mode as an Easter egg, but it was AI-driven. So it was always in its DNA to become more than a one-player game, but they just didn’t have the budget, scope and so on to go there.
“I think Sony are incredible people to work with, genuinely: they’ve provided great development support. Sony is also the one corporation out there that is not about stealing data from you: it’s about making beautiful objects. its design language has been stunning throughout its history. Also, it’s a tech company that has come from a cultural standpoint, and has always stayed at the heart of it. I have nothing but love for Sony.
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