🔥 Go inside the making of HouseoftheDragon, HBO's mission to make the new GameofThrones:
really stood out as different, with unique world-building,” Orsi says. “Tonally it felt very adult, sophisticated and intelligent, and there was a thematic conversation at the center of it about disenfranchisement in the face of colonialism and religious extremism.”
“It required a lot more invention; it was higher risk, higher reward,” Bloys says. “There wasn’t anything glaringly wrong with it. Development and pilots are hard.” “I wasn’t ready to give up on it,” Martin says. “And I liked Ryan’s writing and he really knew my world well — which was a big thing.” Sapochnik was, to put it mildly, reluctant to get pulled back into the world of Westeros. “Miguel said, ‘I’m never doingOnce again, a fortuitous relationship played a key role. Sapochnik was already friends with Condal and had agreed to help develop, giving guidance as somebody who knew the original show’s “secret sauce.” Along the way, Sapochnik gradually became entwined with the project.Sapochnik recalls replying: “‘If it ain’t broken, don’t fix it.’ And Casey said, ‘Good.
coming down the pipe and that would be important to the world at large. And I couldn’t think of a better piece of IP almost anywhere that deserved to be developed and multiplied.”that could actually fly — and somehow get everything right on the first try.After HBO spent years searching to find the ideal successor series to the king of its platform, network executives picked a story that was about … what else? A struggle for succession.
D’Arcy was less known than some of the other actors in contention and looks entirely unlike the ethereal, platinum-blond Targaryens in real life. But Condal and Sapochnik were won over by their auditions and the actor was able to identify with the fantastical character on a very human level. Alicent serves King Viserys, played by Paddy Considine , who gives a performance Martin is particularly thrilled by, with the author comparing Considine’s take on the role to King Lear. “He’s a good man, but a bad king in that he’s trying to please everybody,” Considine says.
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