Inside Christopher Nolan’s 57-day race to shoot ‘Oppenheimer’

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Inside Christopher Nolan’s 57-day race to shoot ‘Oppenheimer’
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For his new film, 'Oppenheimer,' starring Cillian Murphy and Emily Blunt, director Christopher Nolan set out to build an entire 1940s western town.

The drive to Los Alamos from the valley below feels treacherous, even now.

And it was up that “tricky road,” as he calls it, that Christopher Nolan found himself driving in June 2021, on a road trip from Los Angeles with his then-13-year-old son Magnus. By then, the director, known for critically acclaimed blockbusters such as “Inception” and “Dunkirk,” had already spent months writing the script for his own secret project on the man known as the father of the atomic bomb — an adaptation of Kai Bird and Martin J.

“For me, there’s this ‘keyman’ question that hangs over the life of Oppenheimer, which is that no one person invented the atomic bomb,” says Nolan. “He wasn’t the first to split the atom. He wasn’t the first to have a self-sustaining chain reaction. But somehow, he’s the guy who brought it all together and made it happen in the moment that it happened.”

The director knew he wanted to explore Oppenheimer’s rise to prominence — as well as his humiliating trial after the war, which resulted in the revocation of his security clearance due to his associations with communists.

As the company began gathering in New Mexico to start filming at Ghost Ranch on Feb. 28, 2022, the paint was barely dry on the reconstructed town of Los Alamos. Construction had taken place in the dead of the high-desert winter, with the crew losing days of work because the ground was too frozen to dig into, or because snowfall had blocked the roads.

“He created this iconography, this version of himself,” says Murphy. “It was very self-consciously done, and the hat and the pipe were key. It was very helpful to me to know that these were decisions he’d made. I think he was vain. I think he was ambitious. He liked being talked about, and he liked being identifiable, and the hat and pipe were indicators of that.”

“Chris works so fast that the only time you leave set is to go to the bathroom, and we move the toilets very close to you, so you don’t have to go too far,” says Hayslip.For newcomers, Nolan’s rules were a shock to the system. “It was a real wake-up call for me,” says Blunt. “Chris’s sets can seem strict going into it, and then you realize it’s about placing the movie first. Every scene is so dialed in, because everyone’s been conversing with each other.

Filming interior scenes in the real Los Alamos began March 8, 2022. Nolan had revisited shooting in the extant historical buildings there, including Fuller Lodge and a 1940s Women’s Army Corps dormitory , when he realized they had neither the time nor the budget to build those sets from scratch at Ghost Ranch. This meant he finally had the chance to shoot in the house on Bathtub Row where Oppenheimer and Kitty once lived.

But between Kitty’s indifference to motherhood and the isolation of Los Alamos, she began to lose herself to alcoholism. “The loneliness of life in Los Alamos must have just been extraordinary, and I felt so deeply for this woman who was not a nice person and really rubbed people the wrong way,” says Blunt.

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