The crazy new iam8bit vinyl for Manifold Garden is introducing a whole new audience to the game.
was how I could introduce human elements and emotions to this lonely, impossible world. The other half was focused on how I could make the most strange, uncomfortable, un-human textures. I’d manipulate recordings of everyday things such as laughter, humming, or teeth chattering into unusual synths or calming ambiences to invoke both a sense of familiarity and alien strangeness. I learned a lot about modular synths and designing my own digital synths in the process.
As a company that seems to take a lot of pride when it comes to vinyl releases, what made you decide to do a pop-up forSure, we take a lot of pride in everything we do, but also — let’s be real — we’re maniacs! We spend a lot of time thinking about the best possible ideas for the story we’re trying to tell, and what usually ends up happening is that the idea is totally crazy and might simply be deemed impossible by a lot of folks.
Luckily, we’re nuts, and we think it’s absolutely worth the blood, sweat and papercuts to lift something out of complacency and into the extraordinary. Like, when you look at Manifold Garden, you are instantly immersed in its fantastical geometry. When we initially talked to the dev team, they expressed their pipedream fantasy of representing that M.C. Escher-like geometry in actual reality.
How do you go about capturing a game through differences and special features in a vinyl release like this?The way we think about the production of physical items is in the same way that a Michelin-starred sushi chef thinks about ingredients — source the best possible fish imaginable, the freshest wasabi, mill your own rice, etc. We look at paper stocks, printing features, color theories, varnishes and embellishments as our ingredients, and where we source those things from matters a ton.
With all those ingredients in your arsenal, you start to craft a recipe for what is most appropriate to the world you’re playing within. It’s not just about slapping key art onto a cover and then taking a nap. You gotta really mine the narrative, cutting beyond the obvious stuff on the surface. We approach everything that we make with the goal of mythological expansion.
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