In Lou, Allison Janney is a tight-lipped, tough-as-nails action heroine
Lou’s chosen introverted lifestyle works well in terms of her inevitable, softly developed, redemptive arc. Her motivation isn’t solely to rescue a pint-sized damsel in distress, though that’s one goal, but to make right some previous wrongs—even with the kidnapper. Unlike the hero at the heart of, who’s drawn back to violence because his ego takes a hit, she’s called into action to save someone greater than herself.
The workmanlike fight sequences are scrappy, skillful and precisely executed, never populated with overused moves. Stunt coordinator Dan Shea and fight choreographer Daniel Bernhardt make use of everyday objects for Lou to fashion into weapons, whether that be a crudely opened soup can or a pot boiling on a stove. These gritty, grimy fisticuffs leave dirt under these characters’ nails.
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