Costume designer Lyn Paolo also dressed 'Dawson's Creek' alum Joshua Jackson like 'Pacey grew up and became a lawyer.'
The small-screen adaptation of Celeste Ng's 2017 bestseller, "Little Fires Everywhere," is packed with simmering frustration, explosive conflict and slow-burn reveals of decades of lies. But the limited series — starring and co-executive produced by Reese Witherspoon and Kerry Washington — is also a comprehensive '90s time capsule full of pop culture references and fashion, which allows for welcome moments of levity and nostalgia.
Also a "really big tell" for the team, according to Paolo? "Dawson's Creek," the iconic WB series that actually premiered in 1998 and launched Jackson's career. "He constantly would say to me, 'This is like Pacey grew up and became a lawyer!' We would spend a lot of time laughing that his journey had come in a big circle from 'Dawson's Creek' to 'Little Fires.
"This woman's been a nomad and she's traveled all over the country," she explains. "So we tried to find shirts from concerts that happened all over to give a subtle hint. 'OK, that concert was in San Francisco' and 'This one was in Chicago.' When Mia's creating her art, she listens to music. In her bohemian lifestyle, whenever she had any extra money, she went to concerts — or she bought them secondhand.
The blend, if not entanglement, of the two families is most depicted, costume-wise, through the Richardson's eldest daughter, Lexie and, and Mia's Pearl. Pearl becomes enamored with the seemingly idyllic life of the Richardsons, while Elena's mini-me, like her mother, remains ensconced in her own bubble of privilege and ambivalent prejudice.
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