'It’s an invention, you know?'
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Wes Anderson, a director with one of the most instantly-recognizable visual styles, explains how his distinct aesthetic came about. Anderson made a name for himself with 1996's Bottle Rocket before further announcing himself as one of the most interesting directors working today with movies like Rushmore and The Royal Tenenbaums.
"Like, people often refer to me doing these kinds of dolly shots, and Asteroid City begins with a long one. We go from one place to the next, and we run around. It’s a certain kind of way to film a sequence that is not so typical for everybody. And I do it a lot. "There’s a thing called the dugout, which is where the players go away to go up to bat, and there’s a strip to the side of it, and I just decided, ‘We’ll put everything over here. We’ll lay a great big dolly track, and we’ll play the scene all the way this way, and then we’ll play the scene all the way that way. We’ll just use the little bit of set that we have.’
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