British critics raved about Emma Rice’s adaptation of “Wuthering Heights,” and the Brooklyn audience for the opening night TimTeeman attended was fervent in its appreciation too.
track, but the production is just as determined to achieve a similar kind of immersive loopiness. British critics raved about this show, and the audience for the opening night this critic attended was fervent in its appreciation too.
Faithful to the book is a delight in its complication of character and plot. Sam Archer as Lockwood appears first, set upon by a vicious dog and general human unfriendliness, holding on to a door for dear life as the wind howls. He’s puzzled and tries to get any kind of physical and emotional grip on what is before him, as do we. The audience is offered character and plot summaries as Nandi Bhebhe tries to marshal the insanity unfolding from the pen of.
What you are not left with is any sense that Heathcliff and Cathy are a great idea for a relationship, or any kind of romantic ideal, or even so-crazy-they-work. They seem deeply screwed up and beyond toxic—even as young kids when Heathcliff is first bought to Wuthering Heights, and bullied relentlessly by the brutish Hindley .
The production is a mix of physical theater and musical, with minimal stage adornments—a door is wheeled on to allow or disallow entry to homes and rooms. Yes, there are windows . A chorus of singers doubles as the Moors in all their windy wildness.
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