TheWeddingFiles: “Marlon Brando rented the house for 12 years, and in the gold room where the dancing was, the story is he used to lie on the floor and stare at this gorgeous chandelier on the ceiling painted with birds. That’s what we did as people left”
here in L.A. on Melrose. As we were designing the wedding dress, we realized it was really important to be able to dance, even in the middle of the day. I couldn’t really move in that dress. It was comfortable, but not something to boogie in. So midway through, we thought, let’s make one more, and that was the green dress. I was a little contrary about the color white. It felt a little virginal for someone like me.
. He said, “You need to get a Tom Ford suit. Tom Ford’s the guy.” We ended up getting a Tom Ford suit. I tried on leather shoes and I felt like, it’s brunch and this feels really formal. It doesn’t feel daytime. So I wore white sneakers. Something about that high/low felt right to me.: He and I got ready in different areas of the house and we met on the balcony to take a good look at each other. We did a first look.: I didn’t know that was a thing.
. Chilaquiles, chicken and waffles. Ironically, on one of our first dates, we’d gone to the caterer’s restaurant, this Mexican restaurant that’s since closed and now they just do catering.: L.A. is a very Mexican city, and I would say 65 percent of the good times I’ve had with Eric have been over tacos. I was like, it’s brunch — let’s get waffles, lots of sugar, everything decadent.
made this cake in lemon and raspberry. We did a cake-cutting, did the thing, and then dancing, and at one point we grabbed the microphone and thanked all the people who designed the day.: It’s like a cabinet of curiosities. Every little corner is just layered with so many things. We set up a–style portrait studio, so people could go in and pose in dramatic fashion. We had a friend who’s aby the DJ. People were leaving their readings with tears in their eyes, she’s so good.
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