“Winnie the Pooh: Blood and Honey” composer Andrew Scott Bell used a wealth of unique sounds, including a beehiveolin — a combination of a beehive and violin — to score the micro-budget…
“Winnie the Pooh: Blood and Honey” follows A.A. Milne’s beloved characters, Pooh and Piglet, after they’re abandoned by Christopher Robin when he goes off to college. Left to their own devices, the flesh-plush hybrid animals starve before morphing into monstrous killers who lurk in the Hundred Acre Wood.
To add to the score’s whimsical vibe, Bell wanted a choir to sing “blood and honey” in Latin. When Bell proposed the idea to director Rhys Frake-Waterfield, he said, “That sounds expensive.” So instead of hiring a choir, Bell sang all the parts himself. Bell found other unique ways to bring a horror element to his score, including scraping his music stand “back and forth really fast.”
An accidental discovery was when his Igloo water bottle that he used for hiking dropped against his knee. “It plays like a C sharp, so I would play it with a mallet and move the sound back and forth in stereo,” he says. For the scene where Piglet attacks a character with a sledgehammer in water, Bell had the idea of “drums underwater.” He explains, “I had these drums and I played them. I put them on my computer and tried to make them sound underwater so that it felt claustrophobic and it just builds and builds to this moment.”
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