How TheSociety, Grownish, and Elite approach authenticity of Gen Z storytelling
Blair Waldorf may have navigated sex scandals clad in Coco Chanel in “Gossip Girl,” but she never spent her nights swiping on Grindr, like “Euphoria’s” Jules . Teen drama has permeated TV for more than 30 years and writers have always dramatized teenager turmoil in a way that’s arguably more sophisticated than what most of their real-life pimply counterparts can relate to.
Madrona and Montero stay cognizant of generational differences by relying on younger writers in the room to point out anachronisms. “We wouldn’t dare, for example, write a scene in which a family watches TV together anymore — not that it does not happen at all, but it does feel uncommon and a bit dated,” Madrona and Montero say.” executive producer Jenifer Rice-Genzuk Henry.
“This story is meant to be about a group of people who find themselves capable of making meaningful decisions about what the world should be,” he says. “We talked about the Parkland kids — they are intimately engaged in broader conversations, which they are able to have with each other more easily because communication is so universal.”
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