How the Production Crew Added Scope to ‘Downton Abbey’ for the Big Screen

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How the Production Crew Added Scope to ‘Downton Abbey’ for the Big Screen
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How the team behind DowntonAbbey adapted it for the big screen: “We wanted to make it more luxurious, more exotic, more visually stimulating more cinematic”

, Hugh Bonneville, Elizabeth McGovern and Jim Carter, and brings in newcomers Imelda Staunton and Geraldine James, as part of an ensemble cast with 17 lead characters. The story picks up in 1927, a few years after the series’ end, to find King George V and Queen Mary of England about to pay a royal visit to the Crawleys and their hard-working staff at Downton.

Because viewers already know the characters and their arcs, the visual storytelling was allowed to make the saga bigger — using large-format cameras, wide-angle lenses, sweeping shots of the English countryside and a dozen gorgeous flyovers ofat golden hour — and at the same time more exacting, says cinematographer Ben Smithard, whose credits include “Blinded by the Light” and “The Second Best Exotic Marigold Hotel.

Though Smithard was new to the “Downton” crew — eight cinematographers shot the series; the bulk was done by Nigel Willoughby — his experience is in dramatic British feature films. Smithard had worked with many of the producers, actors and crew, including Woods, on the 2011 feature “My Week With Marilyn.”

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