How the ‘Bones and All’ Soundscape Came to Life with Raw Chicken and Gruesome Research

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How the ‘Bones and All’ Soundscape Came to Life with Raw Chicken and Gruesome Research
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The believability of Luca Guadagnino’s spine-chilling feature “Bones and All” is no small feat, given the grotesque cannibalistic behavior exhibited by the film’s protagonis…

” is no small feat, given the grotesque cannibalistic behavior exhibited by the film’s protagonists; but the task is one that the audio editors and mixers took to extremes, destroying raw chickens to achieve the effect of consuming another human being.

The 130-minute feature contains no shortage of graphic content, including one especially nauseating sequence where a fellow cannibal named Sully eats an elderly woman after breaking into her home with Maren. Supervising dialogue editorthe scene required extensive research — at Guadagnino’s firm insistence — to perfectly replicate the sounds of a dying person.

Unlike Guadagnino’s last horror film, “Suspiria,” Gualdrini stressed the director’s latest feature substitutes eerie stingers with increased diegetic sound. The sequence where Sully consumes the old woman is a prime example, he said, in that suspense is mounted solely through sounds of the disturbed cannibal moving and feasting, before viewers actually bear witness to the corpse he’s devoured.

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