Emmy-nominated editors Geoffrey Richman and Erica Freed Marker explain how they helped the characters on the Apple TV+ drama transition between their 'innie' and 'outtie' personas.
Samantha Hanratty on Her 'Yellowjackets' Character: "I Just Want to Hug Her and Tell Her to Go to Therapy"
Once the viewer presumably understands the rules of the severed memories, the editors could experiment more in the cutting room. “In many cases [the transitions] were actually shot, but we would create leaps in the edit so that there was more of a juxtaposition, from an outtie Mark to an innie Mark, or vice versa. As their stories started to develop, there were parallels in what they were experiencing,” Richman says.
“As we got closer and closer to the end of the season, we went the other way, because once the audience is so attuned to what’s going on … then we can go more nuts and just start intercutting things a lot more frenetically, and the audience follows it.” Adding that “the cast was really great,” she notes that the actors, working with director Ben Stiller, varied their performances in different takes. “The tricky part was, which direction do we want to take this? And how far do we want to calibrate it toward really evil, and how much do we want to pull back?”
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